MC ESCHER TESSELLATION 105 HOW TO
Here is a movie how to deform the hexagon to get the lizards:
Remember that you can create subpatterns (smaller ones) or superpatterns (bigger ones)Īctually this lizard is created on the basis of a hexagon, not a triangle! Here is the hexagon: Here the "deformation" of the grid is extreme, the grid itself has its own new shape: But art is about taking the resources you have as a guideline, not as a limitation.
You have some other resources like mirroring, rotating, and scaling. Where you can see how he used a two-axis grid rotated 45° next to a work using a three-axis grid. Here is a screen capture of the website: Let us explore how Escher used these grids to develop part of his work. When you are using a pattern, you let the pattern guide you.Įdited some years later. Metamorphosis.Īdditionally, comparing two lizards they are not exactly the same. Especially if the next lizard will turn into a duck. I would probably have a reference drawing but draw those by hand. Look at the second image, it clearly marks the middle of the triangle and where the legs should intersect them. I really see no difficulty to draw this lizard by hand. You can also see these patterns in 3D often used in Architecture. We called it "Little Squares 101" Or "Sticks and Balls II" (That was the second course) and yes, we drew this by hand. This is a typical example of introductory classes at the University. Grab a paper and a ruler, draw some pages and find some more patterns! Look how many patterns you have with this triangular grid. We are used more to a square pattern, but this triangular pattern can produce hexagonal and rhomboidal patterns as well.Īnd you can play with it to start building ripples, but still, you repeat the internal objects on this now deformed patterns. These patterns are pretty easy to draw, and they are used for example in architecture in different cultures. You can have and use sub-patterns or smaller ones to be more exact. Once you know what to draw on each piece, you need to repeat this.
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